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We must emulate Maathai´s green deeds: Kenyan envoy
AS the world continues to mourn the death of Nobel Laureate for Peace Wangari Maathai, Kenyan Ambassador to Qatar HE Galma Mukhe Boru advised the people to follow her example and learn from her life. Professor Maathai, who passed away on September 25, was the first African woman to be awarded the Nobel Peace Prize in 2004 for her contribution to sustainable development, democracy and peace...
Mad Hatter´s Tea Party
CURIOSER and curioser, as Alice said in her adventures in Wonderland. The longer the crisis in the eurozone has gone on, the more it has come to resemble something penned by Lewis Carroll. Here are just a few of the surreal aspects of the current state of affairs. The answer to a lack of growth in struggling countries such as Greece is austerity of such ferocity that recessions deepen. The solution to a...
HOLDING CHINA TO ACCOUNT
THE dire state of the world economy reflects destructive actions on the part of many players. Still, the fact that so many have behaved badly shouldn´t stop us from holding individual bad actors to account. And that´s what Senate leaders will be doing this week, as they take up legislation that would threaten sanctions against China and other currency manipulators. Respectable opinion is aghast. But respectable opinion has...
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Jamila - Monthly Women Magazine
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Love Mein Ghum a sad tale of wasted star power

TRIBUNE NEWS NETWORK THOUGHI reached the theatre mere minutes before the evening show of Reema’s latest offering, Love Mein Ghum, contrary to all expectations, more than half the cinema was available for booking.

Reema’s sophomore directorial venture features a star-studded cast: Muammar Rana, Javed Sheikh, Jia Ali, Nadeem Baig, Nabeel Khan, Ali Saleem, Johny Lever, Afzal Khan (Rambo), and, of course, Reema herself in the lead role. But this adaptation of Paulo Coelho’s novel Veronica Decides to Die barely passes as a decent piece of filmmaking.

In fact, only fifteen people stayed till the end of the film, a testimony to the quality of entertainment on offer.

Reema plays a library assistant at a Malaysian university, whose name is Maria Joseph but who, for some odd reason is called ‘Zindagi’.

Zindagi is disappointed in love with Wilson (Nabeel Khan), a student at the university, who, despite coming from an Englishspeaking origin, speaks with a heavy Pakistani accent. Side by side, Ali (Muammar Rana) is a man whose father (Javed Sheikh) ignores him, choosing instead to shower attention on his wife (a smouldering Jia Ali). After a failed suicide attempt, Ali and Zindagi end up falling in love at a rehabilitation centre where Dr Kanwal (Nadeem) comes to their rescue. The story might seem predictable right now, but to find out how hilariously pointless it is, one actually has to watch the movie. Towards the end, the director raises false hopes of an unexpected twist but that attempt soon peters out.

The film as a whole is under-directed and underperformed with some of the legends of Pakistani cinema being wasted in their roles.

There are a couple of perfect long takes in the movie which signify the command Nadeem Baig and Javed Sheikh have over acting; one wishes there was more for them to deliver.

Rana no longer looks good without a huge moustache while the best that can be said about Reema’s performance is that at least she is not dancing around in the fields of Punjab. It seems that while the actors’ attires have undergone transformation, their dialogue delivery and expressions have not moved on Johnny Lever fails to fake a Sindhi accent, Rambo does a good job of being Rambo and Ali Saleem gives Begum Nawazish a film appearance, nothing more than that. The attempted comedy of errors by the three of them doesn’t make sense.

A decent script can be the saving grace of any film; but Love Mein Ghum is replete with bad one-liners accompanied by excessive dialogue where visuals could have easily done the job. The music here is as good as bad 80s Bollywood music, although Reema got all the renowned playback singers from Bollywood to sing for this film.


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